The Tokina 16-28mm f/2.8 zoom lens for Canon is a full frame wide zoom. That means it works on any Canon EF or EF-S mount camera. Most shooters with crop cameras will probably prefer Tokina’s more portable 11-16mm f/2.8 II lens, though. This lens is very popular with photographers, but docu-style video shooters will appreciate the full-time manual focus option and useful zoom range.
This lens performs exceptionally well, outperforming most wide zooms from Canon, even wide open. Autofocus is fast and not too loud. Distortion is minimal, making this a great lens for architecture and interiors. The lens hood is built in, and does not accept filters. It close focuses to about ten inches, giving you some creative options for extreme perspective.
The Rokinon 14mm f/2.8 lens fits all Canon digital cameras and anything else with an EF or EF-S mount. 14mm is a great length for dramatic wide angles. This is the widest fullframe lens Rokinon offers. It’s also a very useful wide on smaller sensors like APS-C, as well as smaller sensors like on Blackmagic and Panasonic cameras.
It’s not particularly fisheyed, but there is some mustache distortion, which can be addressed in post processing. The lens is manual focus only, but focusing on the fly isn’t much of an issue with a lens this wide.
This is the photo version of the lens, with a clicking aperture ring and no focus gears. We also have the cinema version, for video shooters. The lens hood is fixed, so round filters aren’t an option.
This lens is our most popular ultrawide lens rental for photographers.
This Rokinon 14mm T/3.1 lens is the widest fullframe lens Rokinon offers, with more than 115-degree angle of view on a camera like the Canon 5D mark III. It’s also a very useful wide on smaller sensors like APS-C, as well as MFT with an adapter.
The aperture is declicked and the lens is fully manual, making it perfect for video and cinema applications. We also offer the photo lens for photographers. The lens hood is fixed, so round filters aren’t an option. You’ll need a matte box and square filters.
This lens is popular with Blackmagic camera shooters with EF mount cameras. It also tends to find its way onto productions with the Zeiss CP2 or Schneider FF lenses, when those fullframe lenses just aren’t wide enough.
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