Camera, Light, Projector and Sound Rental in Milwaukee & Chicago

            Renting cameras, audio, lighting & grip for Milwaukee, Chicago, and the surrounding area.

Archive: Feb 2017

  1. Crash Course: GoPro Omni Tips & Tricks

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    GoPro Omni 360 Camera

    The GoPro Omni uses six genlocked GoPro Hero 4 black cameras in a cube-like array.

    This post was updated in October, 2018, to reflect the closing of GoPro’s Kolor software division.

    The GoPro Omni 360 camera is an incredibly popular tool for recording immersive 360-degree video and photos.  Since the technology is just getting started, we wanted to review some of the most common questions and answers about the Omni, and 360-degree shooting in general.

    How long is the record time?

    Our GoPro Omni 360 camera kit includes six 32GB cards, which allow 40+ minutes of recording in the highest quality setting (recommended). The cameras will accept 64GB microSD cards, taking record time to 90+ minutes. Record times are about twice as long when using the 1440p setting. We have not yet tested the array with 128GB microSD cards.

    How long is the battery life?

    Typical life with just the GoPro batteries inside the Omni (the lightweight configuration) is around 50 minutes.  The kit includes a V-mount battery and power adapter, extending the run time to 3+ hours. An AC adapter is also included.

    What accessories do I need?

    The Omni kit we rent includes the Omni Sync Rig with six cameras, six GoPro batteries, one V-mount battery, a battery plate with clamp, a V-mount battery charger, a powertap cable, a GoPro Smart Remote with charge cable, six 32GB microSD cards, six microSD USB readers, and a USB hub. The items you are most likely to need in addition are:

    a way to mount the camera
    additional media
    additional batteries

    How should I mount the GoPro Omni?

    GoPro Omni mount

    The Omni mounts with a 1/4-inch tripod screw

    The Omni has a standard 1/4″-20 receiver, designed to be used with virtually all video production equipment. Since the camera is capable of seeing directly above and below itself, we suggest using something without a protrusion near the camera (for example, tripod legs or a tripod head).

    We have found that a light stand, or “chickenfoot” monopod work well. For a more invisible look, fishing line can be run through the Omni frame and fastened to the ceiling. Just be sure to mount it safely, as the rig weighs about 2 1/2 pounds. Since the camera is 360×360, mounting it “underslung” is simple and requires no adjustments. Regardless of how the camera is mounted, the editor will need to properly set the horizon level in post production.

    Does it matter where I point it, or where camera #1 is?

    Short answer: not really. The long answer is, if you can’t get the Omni away from an object, it’s much better to not have that object on a stitch (the seam between two cameras). Since each camera is in a slightly different position, the perspective of each starts to become significant once objects are within about six feet (two meters) of the array. You can tweak the stitching between cameras in post production, but it’s best to keep the camera away from any close objects if you want a clean stitch without much work in post.

    Is it really better than using six GoPros in an aftermarket frame like the Freedom 360?

    There are a few key advantages to the Omni rig over using six independent cameras. First, the operation of each camera is handled by the array, so you only need to use one camera or remote. The settings propagate across all cameras, so there’s no risk of mismatched settings. The six video files will all be the exact same length and begin at the same time, removing the need for a complicated sync procedure in post. In fact, the Omni is sub-frame accurate, with each frame from each camera starting at the exact same moment in time. This makes motion across the stitch lines much more natural-looking.

    Is it 3D?

    The GoPro Omni is an immersive 360×360 video camera, but it is not stereoscopic. If your project requires stereoscopic 3D, you’ll need to consider a camera like the GoPro Odyssey or the Nokia Ozo. Kits with 360-degree stereoscopic cameras are currently an order of magnitude more expensive, and have more challenges in post-production.

    Is it HD/4K/8K?

    The old ways of measuring video resolution don’t exactly translate to 360 video. If you are distributing to YouTube, you will likely upload an equirectangular projection in a 4K video file.  The Omni captures a total of either 16.5 or 24.8 megapixels, allowing for plenty of oversampling and some overlap at the seams. 360 video playback beyond 8K  resolutions is currently limited to custom installations and very expensive hardware.

    If your final deliverable is a traditional 2D video, you can get a reasonable 1080p cut from the source files, with a medium-wide field of view. If you won’t be adding digital pans or tilts in post production, it currently makes more sense to use a traditional single camera for 2D video.

    How do I go from recording in-camera to a finished video?

    The camera records to each of the six microSD cards simultaneously. After recording, remove the six cards and copy each of them to a drive, using a separate folder for each card. The video files will have matching names, lengths, and settings. You’ll need a program to combine the files together, this is called “stitching.” GoPro has closed Kolor, the company that provided video stiching tools, so for now we suggest using the Premiere/After Effects plugins included with Fusion Studio. We don’t include software with any camera rental.

    Our suggestion is to stitch the video, and then edit it, and then apply color and exposure adjustments. The Omni records in ProTune and native white balance, so without correction, the footage will look gray and colors may appear inaccurate.

    Will it work as a live camera?

    The GoPro Omni is not designed to be used live. Currently, there are a limited number of live 360 camera options, most of them requiring a very expensive computer system and trained technicians. We do not currently provide live camera 360 rentals.

    How do I monitor the video?

    Monitoring 360 video live is not possible with the GoPro Omni. Since the camera points in all directions at once, and settings are handled automatically, monitoring doesn’t have much use anyway.

    Unlike the GoPro Hero 4 black outside of the Omni array, WiFi control and monitoring is not supported. The wireless remote can be used to adjust Omni settings and trigger recording.

    What about audio?

    Each GoPro Hero 4 black records audio, and any one of those files can be selected in post production. If audio is critical, we suggest recording to a separate device and syncing them in post production.

    Can we call you and ask a bunch of questions from our set?

    Please, if you’re new to 360 video, book an extra day with your camera rental to do some tests and figure out the details. We can try to walk you through things on the phone, but working with any new camera is never something you should do in a rush.

    Can you provide a list of qualified GoPro Omni 360 camera operators?

    Yes, just email us with your project dates and location and someone will be in touch with you shortly.

  2. 2018 Student Internships

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    Matt, one of our previous interns, learned a lot about video production, worked with producers, and was on set for multiple productions.

    MKE Production Rental is looking for several interns for 2018. Students must be receiving school credit to be eligible for the internship.

    An internship with MKE Production Rental is an opportunity to get your hands on the latest gear, meet the professionals working in Milwaukee, and learn from experts at a growing company. You’ll also be able to sit in on workshops, use equipment for your personal projects, and ask questions in a one-on-one setting.

    The intern will spend some time in the MKE Production Rental office, assisting with rental orders, and maintaining equipment. The rest of their time will be spent on location or in studio, as a production assistant on various video shoots.

    An ideal candidate will:

    • Be reliable and punctual
    • Have a passion for video and technology
    • Be comfortable with audio and video equipment
    • Be detail-oriented and attentive
    • Be comfortable with basic audio video troubleshooting
    • Have a flexible schedule
    • Be enrolled at an institution providing academic credit for internships

    Responsibilities include:

    • Assembling equipment orders
    • Testing and maintaining rental equipment
    • Answering customer phone calls and emails
    • Receiving rental drop offs and performing return inspection
    • Production Assistant on set
    • Other miscellaneous duties

    You will be expected to learn quickly, with direct supervision from the rental manager. For students successfully completing at least 100 internship hours for credit, a $400 stipend will be provided.

    Please submit your resume, as well as information about your college’s internship program, your availability, and your desired start dates, to [email protected] No phone calls, please!


  3. Zeiss Batis 25mm f/2 Lens for Sony E Mount

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    The Zeiss Batis 25mm f/2 Lens is a wide angle prime lens that covers full frame sensors on cameras like the Sony A7s II, and mounts on any Sony camera with an E mount. Its fast f/2 aperture makes it great indoors, and where you want maximum control over depth of field. The T* coating minimizes reflections and glare.

    This lens is exceptionally sharp, even wide open. The autofocus makes it a natural choice for still photography, landscape photography, events, and documentary work. The digital readout highlights the focus distance and depth of field range.

    The lens has auto and manual focus modes, and iris is controlled electronically. It has 67mm front threads.

    Rental Prices

    $49 for 1 day
    $98 for up to 3 days
    $147 for up to 7 days
    Call or email for availability.

    Suggested accessories:

    Sony Camera
    Filter Kit

  4. Sigma EF USB Dock

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    The Sigma USB dock for Canon mount lenses allows you to connect your Sigma lenses to your computer. This allows you to update firmware and adjust focus and stabilization settings using the free Sigma Optimization Pro software.

    The lens dock is only compatible with the Sigma Art, Contemporary, and Sports line lenses featuring a Canon EF lens mount. See the table below for specific models and features supported.

    Rental Prices

    $14 for 1 day
    $28 for up to 3 days
    $42 for up to 7 days
    Call or email for availability.

    Suggested accessories:

    Sigma EF mount lens

    Sigma USB Dock Compatibility Chart
    Lens Firmware Update Focus Setting OS AF Speed Focus Limiter
    20mm F1.4 DG HSM Yes Yes X X X
    24mm F1.4 DG HSM Yes Yes X X X
    35mm F1.4 DG HSM Yes Yes X X X
    50mm F1.4 DG HSM Yes Yes X X X
    24-35mm F2 DG HSM Yes Yes X X X
    24-105mm F4 DG OS HSM Yes Yes X X X
    120-300mm F2.8 DG OS HSM Yes Yes Yes Yes Yes
    150-600mm F5-6.3 DG OS HSM Yes Yes Yes Yes Yes
    17-70mm F2.8-4 DC MACRO OS HSM Yes Yes X X X
    30mm F1.4 DC HSM Yes Yes X X X
    18-35mm F1.8 DC HSM Yes Yes X X X
    18-200mm F3.5-6.3 DC MACRO OS HSM Yes Yes X X X
    18-300mm F3.5-6.3 DC MACRO OS HSM Yes Yes X X X
    50-100mm F1.8 DC HSM Yes Yes X X X
    OS, AF Speed and Focus limiter are only adjustable on lenses with a custom mode switch.
    DN Lenses are not currently compatible with the USB dock.
  5. Battery-Powered Portable PA System

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    This battery-powered portable PA system is a portable entertainment machine.  Listen to your music wirelessly over bluetooth, use the AM/FM radio, or address your group over the included handheld microphone.

    We recommend this rental for picnics and other outdoor gatherings, where portability is more important than power.  At moderate volume, the battery will last for half a day, but at full volume you should expect less than two hours. If you need more volume, more microphone inputs, or just some guidance on choosing the right PA system rental, give us a call!  One of our AV techs can help you find exactly what you need.


    Rental Prices

    $59 for 1 day
    $118 for up to 3 days
    $177 for up to 7 days
    Call or email for availability.

    Suggested accessories:

    Mobile device
    Extension cord

  6. Mid-Sized Camera Jib

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    The IFootage M1-III jib is rated for cameras up to 33 pounds. Perfect for mid-sized cameras such as an FS5 or c300, we include an adjustable counterweight for no hassle balancing.  Use of a fluid head is made easy, as the M1 plate has both a flat camera plate and ball mount. Optimal control is achieved with the adjustable tilt-damping knob, tilt lock, and pan drag function.

    There’s no need to rent a bulky crane or difficult-to-use steadicam, because it’s easy to create smooth sweeping moves and professional results with this jib rental!

    Rental Prices

    $84 for 1 day
    $168 for up to 3 days
    $336 for up to 7 days
    Call or email for availability.
    Suggested accessories:

    Dolly System

Can’t Find It?

If you haven't found what you're looking for, try the search box above, or call (414) 939-3653. We have way too many clamps, cables, and widgets to list everything. And we have new stuff coming all the time, too!